Park Hill Art Club upcoming events

Holly Kernes: Palette Knife Painting with Oils (06/04/2026)

Thu, 04 Jun 2026 15:15:00 GMT

Thursdays, June 4 through June 25, 2026; 9:15 am - 12:00 pm - 4 Sessions

Palette Knife Painting with Oils

Add Texture and Loosen Up by Painting with a Palette Knife!

Holly has painted with palette knives since 2019. The only time she uses brushes is for underpaintings.

She takes advantage of the thickness of the paint to create vibrant, painterly, textural works of art. The knife allows quick mixing and application, with no stopping to switch to brushes, and no need for solvents. Once students have experienced knife techniques, they can decide how much of their paintings will be covered with knife strokes.

Learn how to:

Draw a simple sketch to work out your composition

Create an underpainting that will help you

Look for texture patterns in nature

Work in layers - from bottom to top

Apply paint in a variety of ways

Become comfortable using more paint

First Class:

Holly will do a demo painting while explaining her process: pencil sketch, panel sketch, underpainting, then palette knife. Students are free to watch, or work on their own painting along with her. She painted the two landscapes above in her March classes.

Remaining classes:

Students will bring their own reference photos and try out the process. Meanwhile, Holly will start another painting, answer students’ questions about theirs, and offer tips along the way. Artists can finish their paintings at home, and bring them in the following week for review, if they like.

LEVEL

All Levels - a bit of experience painting with oils helps.

PLEASE NOTE: Students are required to bring a container for acrylic and/or oil paint waste and will need to take it home to dispose of properly. It CANNOT be poured down the drains at our new location. Students are also encouraged to wipe brushes clean.

SUPPLIES TO BRING

Reference pictures for your painting. Any type of scene you’d like.
Panels or canvases: small size, from 8x10 to 12x16. Recommend Ampersand Gessobord.
Oil paint: bring the paint you have, and your favorite palette colors. Recommend a Warm and Cool of each primary. I prefer Gamblin 150ml tubes. These are the colors I use:

- Cad Yellow Light
- Cad Yellow Medium
- Cad Red Light
- Quinacridone Violet (Alizarin Permanent also works)
- Ultramarine Blue
- Cerulean Blue Hue
- Cobalt Blue
- Titanium White
- Chromatic Black (Gamblin)
Palette knives: bring the ones you have. Recommend Teardrop and Diamond shape in different sizes, and one with a square edge, about ½” wide.
Wet panel carrier
Brush for initial drawing: recommend size 4 or 6 filbert.
Portable easel and palette
Odorless paint thinner for drawing and underpainting: recommend Gamsol. If you don’t like to use thinner, you can use colored pencils to sketch on your panel, and paper towels to rub on the paint. Acrylic paints also work well for underpaintings.
Disposable gloves
Paper towels
Plastic bag for used paper towels
Small plastic paint cups for storing unmixed paint between sessions. About 1” round and ¾” deep. One for each color on your palette. I use Artist’s Loft from Michaels because they seal well.

QUESTIONS

Email or call instructor at hkernes@msn.com or

720-935-1379 (text or call).

About the Instructor

Holly Kernes studied Graphic Design at Colorado Institute of Art, and Botanical Illustration at Denver Botanic Gardens. Over the years, she’s studied with many of today’s best artists.

She has painted with oils since 2009. She started painting outdoors, from life, in 2010. She painted her 400th plein air painting in 2023.

Holly started painting with palette knives in 2019. She won three First Prize awards and two Honorable Mentions at Plein Air Events in the last three years.

View her website: hollykernes.com

Holly Kernes: Palette Knife Painting with Oils (06/11/2026)

Thu, 11 Jun 2026 15:15:00 GMT

Thursdays, June 4 through June 25, 2026; 9:15 am - 12:00 pm - 4 Sessions

Palette Knife Painting with Oils

Add Texture and Loosen Up by Painting with a Palette Knife!

Holly has painted with palette knives since 2019. The only time she uses brushes is for underpaintings.

Learn how to:

Draw a simple sketch to work out your composition

Create an underpainting that will help you

Look for texture patterns in nature

Work in layers - from bottom to top

Apply paint in a variety of ways

Become comfortable using more paint

First Class:

Remaining classes:

LEVEL

All Levels - a bit of experience painting with oils helps.

SUPPLIES TO BRING

Reference pictures for your painting. Any type of scene you’d like.
Panels or canvases: small size, from 8x10 to 12x16. Recommend Ampersand Gessobord.
Oil paint: bring the paint you have, and your favorite palette colors. Recommend a Warm and Cool of each primary. I prefer Gamblin 150ml tubes. These are the colors I use:

- Cad Yellow Light
- Cad Yellow Medium
- Cad Red Light
- Quinacridone Violet (Alizarin Permanent also works)
- Ultramarine Blue
- Cerulean Blue Hue
- Cobalt Blue
- Titanium White
- Chromatic Black (Gamblin)
Palette knives: bring the ones you have. Recommend Teardrop and Diamond shape in different sizes, and one with a square edge, about ½” wide.
Wet panel carrier
Brush for initial drawing: recommend size 4 or 6 filbert.
Portable easel and palette
Odorless paint thinner for drawing and underpainting: recommend Gamsol. If you don’t like to use thinner, you can use colored pencils to sketch on your panel, and paper towels to rub on the paint. Acrylic paints also work well for underpaintings.
Disposable gloves
Paper towels
Plastic bag for used paper towels
Small plastic paint cups for storing unmixed paint between sessions. About 1” round and ¾” deep. One for each color on your palette. I use Artist’s Loft from Michaels because they seal well.

QUESTIONS

Email or call instructor at hkernes@msn.com or

720-935-1379 (text or call).

About the Instructor

Holly Kernes studied Graphic Design at Colorado Institute of Art, and Botanical Illustration at Denver Botanic Gardens. Over the years, she’s studied with many of today’s best artists.

She has painted with oils since 2009. She started painting outdoors, from life, in 2010. She painted her 400th plein air painting in 2023.

Holly started painting with palette knives in 2019. She won three First Prize awards and two Honorable Mentions at Plein Air Events in the last three years.

View her website: hollykernes.com

Holly Kernes: Palette Knife Painting with Oils (06/18/2026)

Thu, 18 Jun 2026 15:15:00 GMT

Thursdays, June 4 through June 25, 2026; 9:15 am - 12:00 pm - 4 Sessions

Palette Knife Painting with Oils

Add Texture and Loosen Up by Painting with a Palette Knife!

Holly has painted with palette knives since 2019. The only time she uses brushes is for underpaintings.

Learn how to:

Draw a simple sketch to work out your composition

Create an underpainting that will help you

Look for texture patterns in nature

Work in layers - from bottom to top

Apply paint in a variety of ways

Become comfortable using more paint

First Class:

Remaining classes:

LEVEL

All Levels - a bit of experience painting with oils helps.

SUPPLIES TO BRING

Reference pictures for your painting. Any type of scene you’d like.
Panels or canvases: small size, from 8x10 to 12x16. Recommend Ampersand Gessobord.
Oil paint: bring the paint you have, and your favorite palette colors. Recommend a Warm and Cool of each primary. I prefer Gamblin 150ml tubes. These are the colors I use:

- Cad Yellow Light
- Cad Yellow Medium
- Cad Red Light
- Quinacridone Violet (Alizarin Permanent also works)
- Ultramarine Blue
- Cerulean Blue Hue
- Cobalt Blue
- Titanium White
- Chromatic Black (Gamblin)
Palette knives: bring the ones you have. Recommend Teardrop and Diamond shape in different sizes, and one with a square edge, about ½” wide.
Wet panel carrier
Brush for initial drawing: recommend size 4 or 6 filbert.
Portable easel and palette
Odorless paint thinner for drawing and underpainting: recommend Gamsol. If you don’t like to use thinner, you can use colored pencils to sketch on your panel, and paper towels to rub on the paint. Acrylic paints also work well for underpaintings.
Disposable gloves
Paper towels
Plastic bag for used paper towels
Small plastic paint cups for storing unmixed paint between sessions. About 1” round and ¾” deep. One for each color on your palette. I use Artist’s Loft from Michaels because they seal well.

QUESTIONS

Email or call instructor at hkernes@msn.com or

720-935-1379 (text or call).

About the Instructor

Holly Kernes studied Graphic Design at Colorado Institute of Art, and Botanical Illustration at Denver Botanic Gardens. Over the years, she’s studied with many of today’s best artists.

She has painted with oils since 2009. She started painting outdoors, from life, in 2010. She painted her 400th plein air painting in 2023.

Holly started painting with palette knives in 2019. She won three First Prize awards and two Honorable Mentions at Plein Air Events in the last three years.

View her website: hollykernes.com

Holly Kernes: Palette Knife Painting with Oils (06/25/2026)

Thu, 25 Jun 2026 15:15:00 GMT

Thursdays, June 4 through June 25, 2026; 9:15 am - 12:00 pm - 4 Sessions

Palette Knife Painting with Oils

Add Texture and Loosen Up by Painting with a Palette Knife!

Holly has painted with palette knives since 2019. The only time she uses brushes is for underpaintings.

Learn how to:

Draw a simple sketch to work out your composition

Create an underpainting that will help you

Look for texture patterns in nature

Work in layers - from bottom to top

Apply paint in a variety of ways

Become comfortable using more paint

First Class:

Remaining classes:

LEVEL

All Levels - a bit of experience painting with oils helps.

SUPPLIES TO BRING

Reference pictures for your painting. Any type of scene you’d like.
Panels or canvases: small size, from 8x10 to 12x16. Recommend Ampersand Gessobord.
Oil paint: bring the paint you have, and your favorite palette colors. Recommend a Warm and Cool of each primary. I prefer Gamblin 150ml tubes. These are the colors I use:

- Cad Yellow Light
- Cad Yellow Medium
- Cad Red Light
- Quinacridone Violet (Alizarin Permanent also works)
- Ultramarine Blue
- Cerulean Blue Hue
- Cobalt Blue
- Titanium White
- Chromatic Black (Gamblin)
Palette knives: bring the ones you have. Recommend Teardrop and Diamond shape in different sizes, and one with a square edge, about ½” wide.
Wet panel carrier
Brush for initial drawing: recommend size 4 or 6 filbert.
Portable easel and palette
Odorless paint thinner for drawing and underpainting: recommend Gamsol. If you don’t like to use thinner, you can use colored pencils to sketch on your panel, and paper towels to rub on the paint. Acrylic paints also work well for underpaintings.
Disposable gloves
Paper towels
Plastic bag for used paper towels
Small plastic paint cups for storing unmixed paint between sessions. About 1” round and ¾” deep. One for each color on your palette. I use Artist’s Loft from Michaels because they seal well.

QUESTIONS

Email or call instructor at hkernes@msn.com or

720-935-1379 (text or call).

About the Instructor

Holly Kernes studied Graphic Design at Colorado Institute of Art, and Botanical Illustration at Denver Botanic Gardens. Over the years, she’s studied with many of today’s best artists.

She has painted with oils since 2009. She started painting outdoors, from life, in 2010. She painted her 400th plein air painting in 2023.

Holly started painting with palette knives in 2019. She won three First Prize awards and two Honorable Mentions at Plein Air Events in the last three years.

View her website: hollykernes.com

Lucy Bradley-Springer- Artist Summer Camp Week 1: Get Loose-The Gateway to a More Expressive Art Practice (08/05/2026)

Wed, 05 Aug 2026 18:30:00 GMT

Two Sessions August 5 (Afternoon 12:30-3) and 6 (Morning 9:30-Noon)

Artist Summer Camp #1: Get Loose-The Gateway to a More Expressive Art Practice

Are you tired of taking classes where everyone paints the same thing? If so, this class may just be for you! Together, we will explore ways to bring your paintings alive with looser, more expressive marks.

You will learn to:

Play while painting
Make marks and spread paint in new ways
Develop loose ink portraits using contour, blind, and non-dominant hand drawing techniques.

The objective of the course is to have fun and learn new techniques. Expect to go home with new ideas and ways to make your art work more appealing.

LEVEL

Beginner to intermediate levels

SUPPLIES FOR STUDENTS TO BRING

Students need to bring:

2 bowls for rinse water.
2 black gel or ballpoint pens, medium point size (not fine).
Paper towels

Other supplies will be provided. You may, however, bring the following things if you already have them:

Your favorite mark-making tool that isn’t a brush
Spray bottle
Board to tape paper to, large enough to accommodate a 20x14 size sheet of paper.
Scissors

SUPPLIES INSTRUCTOR WILL PROVIDE

Paper (2 sizes) and tape
Watercolor paints in red, blue, yellow, black and white
Scissors
Brushes
Fun tools (not brushes) to apply paint
Spray bottles
Black ink
Materials for wet palette
Boards for taping papers

ABOUT THE INSTRUCTOR

Lucy joined Park Hill Art Club in 2018 and is currently the PHAC Board Secretary. She started taking painting and mixed media classes when she retired in 2015. Progress in her art journey has given her experience with many different media, methods, and tools, but she now works predominantly with watercolors and ink.

Lucy is a nurse with a PhD in Education and more than 40 years of experience teaching nursing students and other health care providers. She uses those skills to now teach about art.

QUESTIONS

lucy.bradley-springer@ucdenver.edu

* NOTE: Doors open at 12:00 and close at 3:30 on Wed, and open 9:00 AM and Close 12:30 PM Thurs to give the instructor and students time to set up before class begins and to clean up at the end of each class.

Lucy Bradley-Springer- Artist Summer Camp Week 1: Get Loose-The Gateway to a More Expressive Art Practice (08/06/2026)

Thu, 06 Aug 2026 15:30:00 GMT

Two Sessions August 5 (Afternoon 12:30-3) and 6 (Morning 9:30-Noon)

Artist Summer Camp #1: Get Loose-The Gateway to a More Expressive Art Practice

You will learn to:

Play while painting
Make marks and spread paint in new ways
Develop loose ink portraits using contour, blind, and non-dominant hand drawing techniques.

The objective of the course is to have fun and learn new techniques. Expect to go home with new ideas and ways to make your art work more appealing.

LEVEL

Beginner to intermediate levels

SUPPLIES FOR STUDENTS TO BRING

Students need to bring:

2 bowls for rinse water.
2 black gel or ballpoint pens, medium point size (not fine).
Paper towels

Other supplies will be provided. You may, however, bring the following things if you already have them:

Your favorite mark-making tool that isn’t a brush
Spray bottle
Board to tape paper to, large enough to accommodate a 20x14 size sheet of paper.
Scissors

SUPPLIES INSTRUCTOR WILL PROVIDE

Paper (2 sizes) and tape
Watercolor paints in red, blue, yellow, black and white
Scissors
Brushes
Fun tools (not brushes) to apply paint
Spray bottles
Black ink
Materials for wet palette
Boards for taping papers

ABOUT THE INSTRUCTOR

Lucy is a nurse with a PhD in Education and more than 40 years of experience teaching nursing students and other health care providers. She uses those skills to now teach about art.

QUESTIONS

lucy.bradley-springer@ucdenver.edu

Bonnie Stolzmann- Artist Summer Camp Week 4: Gouache and India Ink Workshop-Discover the Art of Bold Expression (08/26/2026)

Wed, 26 Aug 2026 18:45:00 GMT

Two Sessions August 26 (Afternoon 12:45-2:45) and 27(Morning 9:45-11:45)

Artist Summer Camp #4: Gouache and India Ink Workshop-Discover the Art of Bold Expression

Unleash creativity through the dynamic combination of gouache and India ink. This immersive, hands-on workshop explores how these two powerful mediums interact to create striking contrasts, layered textures, and expressive compositions—perfect for artists of all levels.

What to Expect

Dynamic Resist Technique: Learn how to apply gouache to create a dynamic andunexpected resist technique that will shake up any practice, whether for beginner orprofessional painters.
Highlights and Shadows: Discover how to use gouache for luminous highlights and India ink for rich shadows and depth, achieving a dramatic tonal balance.
Abstract Backgrounds: Explore how to create expressive, abstract backgrounds using the India ink and gouache technique, then learn how to draw and paint foregrounds back into the work for a cohesive composition.
Gouache as Resist: Gain command of using gouache as a resist medium, learning how it interacts with ink to produce layered, textural effects.
Medium History: Learn about the history of gouache and India ink and how these traditional materials can be integrated into any modern art practice.
Personal Project: Complete an original 11x17" painting under expert guidance.

LEVEL

Any. Ideal for artists, illustrators, designers, and anyone eager to expand their painting techniques. No prior experience required—just curiosity and enthusiasm.

SUPPLIES FOR STUDENTS TO BRING

PAPER: 2 sheets of 140lb watercolor paper (8" x 10" or larger preferred)
GOUACHE: (traditional DESIGNER"S GOUACHE ONLY! NOT acrylic): Titanium white and at least two primary colors. I prefer Daniel Smith and Winsor & Newton
BRUSHES: Watercolor: 1” flat, and a #8 or #10 Round
Drafting tape
Spritzer bottle
Towel or cloth (no paper towels, please)
A water container
Paint Palette
Ideas or images you would like to paint

SUPPLIES INSTRUCTOR WILL PROVIDE

140lb paper
India ink
Pencils
Hair dryers
Graphite Paper
Cheesecloth
Saran Wrap
Lace
Gouache (including metallics)
Brushes
Painter's tape
Gator boards
Colored pencils
Fixative

ABOUT THE INSTRUCTOR

Bonnie Stolzmann is a distinguished fine artist and illustrator based in Denver, renowned for her dynamic and engaging approach to both art and education. With a passion for inspiring creators of all ages, she has taught art classes that empower students to unlock their full potential through hands-on exploration of new materials and techniques.

Her exceptional scientific illustrations have been published in collaboration with The Max Planck Institute for Chemical Ecology, The University of California, Harvard University, and The Jepson Herbarium. Additionally, Bonnie’s artwork has been showcased internationally, earning prestigious awards and recognition.

Whether in the studio or the classroom, her dedication to both artistic excellence and education makes her an inspiring mentor.

QUESTIONS

bonniestolzmann@gmail.com, Phone 719-339-9544

Bonnie Stolzmann- Artist Summer Camp Week 4: Gouache and India Ink Workshop-Discover the Art of Bold Expression (08/27/2026)

Thu, 27 Aug 2026 15:45:00 GMT

Two Sessions August 26 (Afternoon 12:45-2:45) and 27(Morning 9:45-11:45)

Artist Summer Camp #4: Gouache and India Ink Workshop-Discover the Art of Bold Expression

What to Expect

Dynamic Resist Technique: Learn how to apply gouache to create a dynamic andunexpected resist technique that will shake up any practice, whether for beginner orprofessional painters.
Highlights and Shadows: Discover how to use gouache for luminous highlights and India ink for rich shadows and depth, achieving a dramatic tonal balance.
Abstract Backgrounds: Explore how to create expressive, abstract backgrounds using the India ink and gouache technique, then learn how to draw and paint foregrounds back into the work for a cohesive composition.
Gouache as Resist: Gain command of using gouache as a resist medium, learning how it interacts with ink to produce layered, textural effects.
Medium History: Learn about the history of gouache and India ink and how these traditional materials can be integrated into any modern art practice.
Personal Project: Complete an original 11x17" painting under expert guidance.

LEVEL

Any. Ideal for artists, illustrators, designers, and anyone eager to expand their painting techniques. No prior experience required—just curiosity and enthusiasm.

SUPPLIES FOR STUDENTS TO BRING

PAPER: 2 sheets of 140lb watercolor paper (8" x 10" or larger preferred)
GOUACHE: (traditional DESIGNER"S GOUACHE ONLY! NOT acrylic): Titanium white and at least two primary colors. I prefer Daniel Smith and Winsor & Newton
BRUSHES: Watercolor: 1” flat, and a #8 or #10 Round
Drafting tape
Spritzer bottle
Towel or cloth (no paper towels, please)
A water container
Paint Palette
Ideas or images you would like to paint

SUPPLIES INSTRUCTOR WILL PROVIDE

140lb paper
India ink
Pencils
Hair dryers
Graphite Paper
Cheesecloth
Saran Wrap
Lace
Gouache (including metallics)
Brushes
Painter's tape
Gator boards
Colored pencils
Fixative

ABOUT THE INSTRUCTOR

Whether in the studio or the classroom, her dedication to both artistic excellence and education makes her an inspiring mentor.

QUESTIONS

bonniestolzmann@gmail.com, Phone 719-339-9544

Bonnie Stolzmann - Unleashing the Power of Gouache: A Comprehensive Course (09/02/2026)

Wed, 02 Sep 2026 18:30:00 GMT

Wednesdays 12:30-3:00 PM, September 2,9,16,23,30

Unleashing the Power of Gouache: A Comprehensive Course

What Is Gouache?

Gouache, often labeled as "opaque watercolor," is distinct from watercolor, primarily due to its opacity compared to watercolor's transparency, despite both being water-soluble. This five-week course will guide you through the essentials of gouache, empowering you to incorporate it confidently into your artistic endeavors. Immerse yourself in the vivid world of gouache in this engaging four-week class designed to spark creativity and enhance painting skills. This is more than just another painting course—it's an exploration of a versatile and expressive medium.

What you will Learn:

-The intriguing history and unique characteristics of gouache

-Live demonstrations showcasing essential techniques, from rich opaque layers to watercolor-like washes

-Adjusting gouache consistency for varied effects

-Key principles of color theory and practical tips for mixing and layering

-Fundamental composition skills for captivating artwork

-Introduction to different brush types and strokes.

-Students will also explore topics like brushes, color theory, composition, paper choices, and archival practices specific to gouache.

LEVEL

All Levels

SUPPLIES INSTRUCTOR WILL PROVIDE

Bonnie will bring all materials:

Hair dryers
Graphite Paper
Cheesecloth
Saran Wrap
Lace
Extra gouache including metallics
Extra brushes
Extra watercolor and printmaking paper
Painter's tape
Extra gator boards
Colored pencils
Fixative

SUPPLIES TO BRING

PAPER: 3 sheets of 140lb watercolor paper (8" x 10" or larger preferred)
GOUACHE: (traditional DESIGNER"S GOUACHE ONLY! NOT acrylic): Titanium white and at least two primary colors. I prefer Daniel Smith and Winsor & Newton
BRUSHES: Watercolor: 1” flat, and a #8 or #10 Round
Drafting tape
Spritzer bottle
Towel or cloth (no paper towels, please)
A water container
Paint Palette
Ideas or images you would like to paint

ABOUT THE INSTRUCTOR

Her exceptional scientific illustrations have been published in collaboration with **The Max Planck Institute for Chemical Ecology, The University of California, Harvard University, and The Jepson Herbarium. Additionally, Bonnie’s artwork has been showcased internationally, earning prestigious awards and recognition.

A firm believer in fostering a supportive and innovative learning environment, Bonnie creates a classroom atmosphere where students feel encouraged to take creative risks, experiment freely, and grow as artists. Whether in the studio or the classroom, her dedication to both artistic excellence and education makes her an inspiring mentor and visionary in the field.

Visit Bonnie's website.

QUESTIONS

Please direct questions to Bonnie at bonniestolzmann@gmail.com.

Lisa Riannson: Oil and Cold Wax - Building with Layers (09/03/2026)

Thu, 03 Sep 2026 15:30:00 GMT

Thursdays, September 3 - September 24 , 9:30 am - 12:00 pm - 4 Sessions

Oil and Cold Wax - Building with Layers

Have you ever looked at an oil and cold wax painting and wondered how it got that rich, textured surface that seems to have so much depth and life? The secret is layers — and in this class, you'll learn exactly how to build them.

This four-week studio class is open to all skill levels, including complete beginners. No prior painting experience is needed, just a curiosity about materials and a willingness to experiment.

Using oil paint and cold wax medium, you'll explore how to build up surfaces with tools, carve back into layers to reveal color beneath, and create paintings that feel tactile, luminous, and alive. Cold wax is a forgiving and endlessly interesting medium — it rewards experimentation over perfection so you can focus on enjoying the process.

Each week we'll focus on a different way of working with layers:

Adding texture and building surfaces with palette knives and found tools
Carving and scraping back to reveal what's underneath
Layering transparently to create depth and a sense of glow
Bringing it all together in a finished piece that is uniquely yours

In each session we will add new layers to our 4 panels, giving you new techniques for your toolkit, and a growing understanding of how to let a painting develop over time rather than forcing it to be finished all at once.

All skill levels welcome.

SUPPLIES INSTRUCTOR WILL PROVIDE

Gamsol
Stencils
Bubble wrap envelopes
Collage material
Gesso
Frog tape
Extra Squeegees, brayers and other supplies

SUPPLIES TO BRING

Four cradled wood panels-9” x 12” or 12” x 12” – you can buy them in sets on Amazon
Oil paints (any colors)
Gamlin cold wax medium
Squeegees or bowl scrapers
Paper towels
Wax paper
Tissue paper
Palette knives
Rubber/latex gloves
Brayer
Carving tools – get creative (sticks, old kitchen things, pottery tools)
Oil paint brushes – not specific, just a small mix
Oil paint sticks (optional)
Cardboard boxes to transport wet paintings (pizza boxes are great

ABOUT THE INSTRUCTOR

Lisa Riannson is a Colorado artist and experienced art instructor who loves helping people explore their creativity. With a knack for breaking down techniques and making art approachable, she’s taught workshops, private lessons, and community sessions for artists of all levels. Lisa’s teaching style focuses on building confidence while having fun, whether she’s guiding beginners through watercolor basics or helping more advanced students refine their skills. She believes art has the power to connect people and bring joy, and she’s passionate about sharing that with her students.

QUESTIONS

Please direct questions to Lisa at lisa@lisariannson.com.

Bonnie Stolzmann - Unleashing the Power of Gouache: A Comprehensive Course (09/09/2026)

Wed, 09 Sep 2026 18:30:00 GMT

Wednesdays 12:30-3:00 PM, September 2,9,16,23,30

Unleashing the Power of Gouache: A Comprehensive Course

What Is Gouache?

What you will Learn:

-The intriguing history and unique characteristics of gouache

-Live demonstrations showcasing essential techniques, from rich opaque layers to watercolor-like washes

-Adjusting gouache consistency for varied effects

-Key principles of color theory and practical tips for mixing and layering

-Fundamental composition skills for captivating artwork

-Introduction to different brush types and strokes.

-Students will also explore topics like brushes, color theory, composition, paper choices, and archival practices specific to gouache.

LEVEL

All Levels

SUPPLIES INSTRUCTOR WILL PROVIDE

Bonnie will bring all materials:

Hair dryers
Graphite Paper
Cheesecloth
Saran Wrap
Lace
Extra gouache including metallics
Extra brushes
Extra watercolor and printmaking paper
Painter's tape
Extra gator boards
Colored pencils
Fixative

SUPPLIES TO BRING

PAPER: 3 sheets of 140lb watercolor paper (8" x 10" or larger preferred)
GOUACHE: (traditional DESIGNER"S GOUACHE ONLY! NOT acrylic): Titanium white and at least two primary colors. I prefer Daniel Smith and Winsor & Newton
BRUSHES: Watercolor: 1” flat, and a #8 or #10 Round
Drafting tape
Spritzer bottle
Towel or cloth (no paper towels, please)
A water container
Paint Palette
Ideas or images you would like to paint

ABOUT THE INSTRUCTOR

Visit Bonnie's website.

QUESTIONS

Please direct questions to Bonnie at bonniestolzmann@gmail.com.

Bonnie Stolzmann - Unleashing the Power of Gouache: A Comprehensive Course (09/16/2026)

Wed, 16 Sep 2026 18:30:00 GMT

Wednesdays 12:30-3:00 PM, September 2,9,16,23,30

Unleashing the Power of Gouache: A Comprehensive Course

What Is Gouache?

What you will Learn:

-The intriguing history and unique characteristics of gouache

-Live demonstrations showcasing essential techniques, from rich opaque layers to watercolor-like washes

-Adjusting gouache consistency for varied effects

-Key principles of color theory and practical tips for mixing and layering

-Fundamental composition skills for captivating artwork

-Introduction to different brush types and strokes.

-Students will also explore topics like brushes, color theory, composition, paper choices, and archival practices specific to gouache.

LEVEL

All Levels

SUPPLIES INSTRUCTOR WILL PROVIDE

Bonnie will bring all materials:

Hair dryers
Graphite Paper
Cheesecloth
Saran Wrap
Lace
Extra gouache including metallics
Extra brushes
Extra watercolor and printmaking paper
Painter's tape
Extra gator boards
Colored pencils
Fixative

SUPPLIES TO BRING

PAPER: 3 sheets of 140lb watercolor paper (8" x 10" or larger preferred)
GOUACHE: (traditional DESIGNER"S GOUACHE ONLY! NOT acrylic): Titanium white and at least two primary colors. I prefer Daniel Smith and Winsor & Newton
BRUSHES: Watercolor: 1” flat, and a #8 or #10 Round
Drafting tape
Spritzer bottle
Towel or cloth (no paper towels, please)
A water container
Paint Palette
Ideas or images you would like to paint

ABOUT THE INSTRUCTOR

Visit Bonnie's website.

QUESTIONS

Please direct questions to Bonnie at bonniestolzmann@gmail.com.

Bonnie Stolzmann - Unleashing the Power of Gouache: A Comprehensive Course (09/23/2026)

Wed, 23 Sep 2026 18:30:00 GMT

Wednesdays 12:30-3:00 PM, September 2,9,16,23,30

Unleashing the Power of Gouache: A Comprehensive Course

What Is Gouache?

What you will Learn:

-The intriguing history and unique characteristics of gouache

-Live demonstrations showcasing essential techniques, from rich opaque layers to watercolor-like washes

-Adjusting gouache consistency for varied effects

-Key principles of color theory and practical tips for mixing and layering

-Fundamental composition skills for captivating artwork

-Introduction to different brush types and strokes.

-Students will also explore topics like brushes, color theory, composition, paper choices, and archival practices specific to gouache.

LEVEL

All Levels

SUPPLIES INSTRUCTOR WILL PROVIDE

Bonnie will bring all materials:

Hair dryers
Graphite Paper
Cheesecloth
Saran Wrap
Lace
Extra gouache including metallics
Extra brushes
Extra watercolor and printmaking paper
Painter's tape
Extra gator boards
Colored pencils
Fixative

SUPPLIES TO BRING

PAPER: 3 sheets of 140lb watercolor paper (8" x 10" or larger preferred)
GOUACHE: (traditional DESIGNER"S GOUACHE ONLY! NOT acrylic): Titanium white and at least two primary colors. I prefer Daniel Smith and Winsor & Newton
BRUSHES: Watercolor: 1” flat, and a #8 or #10 Round
Drafting tape
Spritzer bottle
Towel or cloth (no paper towels, please)
A water container
Paint Palette
Ideas or images you would like to paint

ABOUT THE INSTRUCTOR

Visit Bonnie's website.

QUESTIONS

Please direct questions to Bonnie at bonniestolzmann@gmail.com.

Bonnie Stolzmann - Unleashing the Power of Gouache: A Comprehensive Course (09/30/2026)

Wed, 30 Sep 2026 18:30:00 GMT

Wednesdays 12:30-3:00 PM, September 2,9,16,23,30

Unleashing the Power of Gouache: A Comprehensive Course

What Is Gouache?

What you will Learn:

-The intriguing history and unique characteristics of gouache

-Live demonstrations showcasing essential techniques, from rich opaque layers to watercolor-like washes

-Adjusting gouache consistency for varied effects

-Key principles of color theory and practical tips for mixing and layering

-Fundamental composition skills for captivating artwork

-Introduction to different brush types and strokes.

-Students will also explore topics like brushes, color theory, composition, paper choices, and archival practices specific to gouache.

LEVEL

All Levels

SUPPLIES INSTRUCTOR WILL PROVIDE

Bonnie will bring all materials:

Hair dryers
Graphite Paper
Cheesecloth
Saran Wrap
Lace
Extra gouache including metallics
Extra brushes
Extra watercolor and printmaking paper
Painter's tape
Extra gator boards
Colored pencils
Fixative

SUPPLIES TO BRING

PAPER: 3 sheets of 140lb watercolor paper (8" x 10" or larger preferred)
GOUACHE: (traditional DESIGNER"S GOUACHE ONLY! NOT acrylic): Titanium white and at least two primary colors. I prefer Daniel Smith and Winsor & Newton
BRUSHES: Watercolor: 1” flat, and a #8 or #10 Round
Drafting tape
Spritzer bottle
Towel or cloth (no paper towels, please)
A water container
Paint Palette
Ideas or images you would like to paint

ABOUT THE INSTRUCTOR

Visit Bonnie's website.

QUESTIONS

Please direct questions to Bonnie at bonniestolzmann@gmail.com.

Jennifer Bobola: Abstract Mixed Media (10/08/2026)

Thu, 08 Oct 2026 15:15:00 GMT

Thursdays, October 8-29 2026
9:15 am - 12:15 pm - 4 Sessions

Learn Abstract in Mixed Media!

This dynamic mixed-media acrylic art class invites artists of all levels to unlock their creative voice through layering mixed media creating dimension and amazing texture combining acrylic paint with materials like joint compound, gel mediums, ink and various papers to create rich, expressive, and personal artworks.

techniques: learn to build, layer, and subtract paint for depth
materials: utilize acrylic paints, matte mediums , gesso, textured pastes, and unconventional tools
focus: emphasizes experimentation, color harmony, and developing a personal style

Designed for beginners to advanced students focused on expression rather than complex rules.

LEVEL

All levels

SUPPLIES TO BRING

paint brushes
acrylic paint
any left over tissue paper
gel mediums
wrapping paper
old magazines
bottle for waste water, paper towels
any kind of canvas, watercolor paper or card board

SUPPLIES INSTRUCTOR WILL BRING

acrylic brushes
acrylic paint
paper towels
Jennifer will provide any tissue paper or water color paper for mixed media
joint compound or gel mediums

Water container: PLEASE NOTE: Students are required to bring a container for acrylic paint waste and will need to take it home to dispose of it properly. It cannot be poured down the drains at the new location. Students are also encouraged to wipe brushes clean.

Questions

Reach Jennifer at jenniferbobola.art@gmail.com or 303-884-5753.

About the Instructor

Jennifer Bobola joined Park Hill Art Club in January 2013. She has had a wide range of teaching experience from undergraduate to adult education. Jennifer studied art in the Netherlands, attending the Utrecht School of the Arts, and with Kevin Weckbach and Mark Nelson of Colorado. She also studied music performance at Metropolitan State University for saxophone. Jennifer uses a thoughtful approach, allowing experimentation and improvisation to make her work more balanced and alive, while manipulating dimensions of color and shape.

* NOTE: Doors open at 9:00 and close at 12:30 to give the instructor and students time to set up before class begins and to clean up at the end of each class.

Jennifer Bobola: Abstract Mixed Media (10/15/2026)

Thu, 15 Oct 2026 15:15:00 GMT

Thursdays, October 8-29 2026
9:15 am - 12:15 pm - 4 Sessions

Learn Abstract in Mixed Media!

techniques: learn to build, layer, and subtract paint for depth
materials: utilize acrylic paints, matte mediums , gesso, textured pastes, and unconventional tools
focus: emphasizes experimentation, color harmony, and developing a personal style

Designed for beginners to advanced students focused on expression rather than complex rules.

LEVEL

All levels

SUPPLIES TO BRING

paint brushes
acrylic paint
any left over tissue paper
gel mediums
wrapping paper
old magazines
bottle for waste water, paper towels
any kind of canvas, watercolor paper or card board

SUPPLIES INSTRUCTOR WILL BRING

acrylic brushes
acrylic paint
paper towels
Jennifer will provide any tissue paper or water color paper for mixed media
joint compound or gel mediums

Questions

Reach Jennifer at jenniferbobola.art@gmail.com or 303-884-5753.

About the Instructor

* NOTE: Doors open at 9:00 and close at 12:30 to give the instructor and students time to set up before class begins and to clean up at the end of each class.

Jennifer Bobola: Abstract Mixed Media (10/22/2026)

Thu, 22 Oct 2026 15:15:00 GMT

Thursdays, October 8-29 2026
9:15 am - 12:15 pm - 4 Sessions

Learn Abstract in Mixed Media!

techniques: learn to build, layer, and subtract paint for depth
materials: utilize acrylic paints, matte mediums , gesso, textured pastes, and unconventional tools
focus: emphasizes experimentation, color harmony, and developing a personal style

Designed for beginners to advanced students focused on expression rather than complex rules.

LEVEL

All levels

SUPPLIES TO BRING

paint brushes
acrylic paint
any left over tissue paper
gel mediums
wrapping paper
old magazines
bottle for waste water, paper towels
any kind of canvas, watercolor paper or card board

SUPPLIES INSTRUCTOR WILL BRING

acrylic brushes
acrylic paint
paper towels
Jennifer will provide any tissue paper or water color paper for mixed media
joint compound or gel mediums

Questions

Reach Jennifer at jenniferbobola.art@gmail.com or 303-884-5753.

About the Instructor

* NOTE: Doors open at 9:00 and close at 12:30 to give the instructor and students time to set up before class begins and to clean up at the end of each class.

Jennifer Bobola: Abstract Mixed Media (10/29/2026)

Thu, 29 Oct 2026 15:15:00 GMT

Thursdays, October 8-29 2026
9:15 am - 12:15 pm - 4 Sessions

Learn Abstract in Mixed Media!

techniques: learn to build, layer, and subtract paint for depth
materials: utilize acrylic paints, matte mediums , gesso, textured pastes, and unconventional tools
focus: emphasizes experimentation, color harmony, and developing a personal style

Designed for beginners to advanced students focused on expression rather than complex rules.

LEVEL

All levels

SUPPLIES TO BRING

paint brushes
acrylic paint
any left over tissue paper
gel mediums
wrapping paper
old magazines
bottle for waste water, paper towels
any kind of canvas, watercolor paper or card board

SUPPLIES INSTRUCTOR WILL BRING

acrylic brushes
acrylic paint
paper towels
Jennifer will provide any tissue paper or water color paper for mixed media
joint compound or gel mediums

Questions

Reach Jennifer at jenniferbobola.art@gmail.com or 303-884-5753.

About the Instructor

* NOTE: Doors open at 9:00 and close at 12:30 to give the instructor and students time to set up before class begins and to clean up at the end of each class.

Pam McLaughlin: PAINTING YOUNG and OLD FACES in WATERCOLOR! (11/04/2026)

Wed, 04 Nov 2026 19:15:00 GMT

Wednesdays, 4 Weeks 12:15 PM-3:15 PM, November 4, 11,18 and December 2. (No class Thanksgiving week)

PAINTING YOUNG and OLD FACES in WATERCOLOR!

This fun class will take your portraits to a new level. The watercolor painting process for children and elderly adults is very different! Explore watercolor techniques for creating wrinkles of older people and the smooth skin of young children. Learn how to mix paints to create different skin and hair colors.

LEVEL

Some watercolor experience

SUPPLIES INSTRUCTOR WILL PROVIDE

Reference materials, light box, a few extra palettes with paint and brushes

SUPPLIES TO BRING

Watercolor Paints- M. Graham, Da Vinci, Daniel Smith, Winsor and Newton, Cheap Joe’s American Journey (brands recommended)
- Ultramarine blue
- Cerulean blue or cobalt blue
- Cadmium yellow medium
- Gamboge yellow or Indian yellow (want yellow orange color some brands of Gamboge look brownish)
- Cadmium red
- Alizarin crimson
- Sap green
- Burnt sienna
- Raw sienna
- Quinacridone rose
Arches 140# paper cold press watercolor paper (9 x 12 inch sheet size works well)

WC Paint Brushes: synthetic or golden taklon, short handle
- Round #10 brush
- Round #2 brush for detail
- Flat 1 inch brush

Palette (Folding Palette works well)

Liquid mask/ frisket AND old small brush to apply liquid mask

Board (12 x 16 or larger, this is to tape watercolor paper to)
Masking Tape
Pencil
Kneaded Eraser
Cups/containers for water
Paper Towels

Get Supplies at:

Meininger Art Supply
Guiry’s with Art Department
www.dickblick.com

ABOUT THE INSTRUCTOR

Pam McLaughlin is a Colorado watercolor painter, photographer and author.

Pam's paintings have been in numerous exhibitions including the International American Watercolor Society’s Exhibition in New York City and are featured in the Spring 2023 edition of the Art of Watercolor Magazine (49th Issue).

For the past 15 years, Pam has taught watercolor. She is presently on the faculty at the Art Students League of Denver and teaches at the Arvada Center for the Arts.

QUESTIONS

Please direct questions to Pam at Watercolorsplash@gmail.com.

* NOTE: Students are welcome to arrive earlier as early as 12:00 pm to set up or work on their projects beforehand or get warmed up for creating with Pam. Doors close at 3:30.

Pam McLaughlin: PAINTING YOUNG and OLD FACES in WATERCOLOR! (11/11/2026)

Wed, 11 Nov 2026 19:15:00 GMT

Wednesdays, 4 Weeks 12:15 PM-3:15 PM, November 4, 11,18 and December 2. (No class Thanksgiving week)

PAINTING YOUNG and OLD FACES in WATERCOLOR!

LEVEL

Some watercolor experience

SUPPLIES INSTRUCTOR WILL PROVIDE

Reference materials, light box, a few extra palettes with paint and brushes

SUPPLIES TO BRING

Watercolor Paints- M. Graham, Da Vinci, Daniel Smith, Winsor and Newton, Cheap Joe’s American Journey (brands recommended)
- Ultramarine blue
- Cerulean blue or cobalt blue
- Cadmium yellow medium
- Gamboge yellow or Indian yellow (want yellow orange color some brands of Gamboge look brownish)
- Cadmium red
- Alizarin crimson
- Sap green
- Burnt sienna
- Raw sienna
- Quinacridone rose
Arches 140# paper cold press watercolor paper (9 x 12 inch sheet size works well)

WC Paint Brushes: synthetic or golden taklon, short handle
- Round #10 brush
- Round #2 brush for detail
- Flat 1 inch brush

Palette (Folding Palette works well)

Liquid mask/ frisket AND old small brush to apply liquid mask

Board (12 x 16 or larger, this is to tape watercolor paper to)
Masking Tape
Pencil
Kneaded Eraser
Cups/containers for water
Paper Towels

Get Supplies at:

Meininger Art Supply
Guiry’s with Art Department
www.dickblick.com

ABOUT THE INSTRUCTOR

Pam McLaughlin is a Colorado watercolor painter, photographer and author.

For the past 15 years, Pam has taught watercolor. She is presently on the faculty at the Art Students League of Denver and teaches at the Arvada Center for the Arts.

QUESTIONS

Please direct questions to Pam at Watercolorsplash@gmail.com.

* NOTE: Students are welcome to arrive earlier as early as 12:00 pm to set up or work on their projects beforehand or get warmed up for creating with Pam. Doors close at 3:30.

Pam McLaughlin: PAINTING YOUNG and OLD FACES in WATERCOLOR! (11/18/2026)

Wed, 18 Nov 2026 19:15:00 GMT

Wednesdays, 4 Weeks 12:15 PM-3:15 PM, November 4, 11,18 and December 2. (No class Thanksgiving week)

PAINTING YOUNG and OLD FACES in WATERCOLOR!

LEVEL

Some watercolor experience

SUPPLIES INSTRUCTOR WILL PROVIDE

Reference materials, light box, a few extra palettes with paint and brushes

SUPPLIES TO BRING

Watercolor Paints- M. Graham, Da Vinci, Daniel Smith, Winsor and Newton, Cheap Joe’s American Journey (brands recommended)
- Ultramarine blue
- Cerulean blue or cobalt blue
- Cadmium yellow medium
- Gamboge yellow or Indian yellow (want yellow orange color some brands of Gamboge look brownish)
- Cadmium red
- Alizarin crimson
- Sap green
- Burnt sienna
- Raw sienna
- Quinacridone rose
Arches 140# paper cold press watercolor paper (9 x 12 inch sheet size works well)

WC Paint Brushes: synthetic or golden taklon, short handle
- Round #10 brush
- Round #2 brush for detail
- Flat 1 inch brush

Palette (Folding Palette works well)

Liquid mask/ frisket AND old small brush to apply liquid mask

Board (12 x 16 or larger, this is to tape watercolor paper to)
Masking Tape
Pencil
Kneaded Eraser
Cups/containers for water
Paper Towels

Get Supplies at:

Meininger Art Supply
Guiry’s with Art Department
www.dickblick.com

ABOUT THE INSTRUCTOR

Pam McLaughlin is a Colorado watercolor painter, photographer and author.

For the past 15 years, Pam has taught watercolor. She is presently on the faculty at the Art Students League of Denver and teaches at the Arvada Center for the Arts.

QUESTIONS

Please direct questions to Pam at Watercolorsplash@gmail.com.

* NOTE: Students are welcome to arrive earlier as early as 12:00 pm to set up or work on their projects beforehand or get warmed up for creating with Pam. Doors close at 3:30.

Pam McLaughlin: PAINTING YOUNG and OLD FACES in WATERCOLOR! (12/02/2026)

Wed, 02 Dec 2026 19:15:00 GMT

Wednesdays, 4 Weeks 12:15 PM-3:15 PM, November 4, 11,18 and December 2. (No class Thanksgiving week)

PAINTING YOUNG and OLD FACES in WATERCOLOR!

LEVEL

Some watercolor experience

SUPPLIES INSTRUCTOR WILL PROVIDE

Reference materials, light box, a few extra palettes with paint and brushes

SUPPLIES TO BRING

Watercolor Paints- M. Graham, Da Vinci, Daniel Smith, Winsor and Newton, Cheap Joe’s American Journey (brands recommended)
- Ultramarine blue
- Cerulean blue or cobalt blue
- Cadmium yellow medium
- Gamboge yellow or Indian yellow (want yellow orange color some brands of Gamboge look brownish)
- Cadmium red
- Alizarin crimson
- Sap green
- Burnt sienna
- Raw sienna
- Quinacridone rose
Arches 140# paper cold press watercolor paper (9 x 12 inch sheet size works well)

WC Paint Brushes: synthetic or golden taklon, short handle
- Round #10 brush
- Round #2 brush for detail
- Flat 1 inch brush

Palette (Folding Palette works well)

Liquid mask/ frisket AND old small brush to apply liquid mask

Board (12 x 16 or larger, this is to tape watercolor paper to)
Masking Tape
Pencil
Kneaded Eraser
Cups/containers for water
Paper Towels

Get Supplies at:

Meininger Art Supply
Guiry’s with Art Department
www.dickblick.com

ABOUT THE INSTRUCTOR

Pam McLaughlin is a Colorado watercolor painter, photographer and author.

For the past 15 years, Pam has taught watercolor. She is presently on the faculty at the Art Students League of Denver and teaches at the Arvada Center for the Arts.

QUESTIONS

Please direct questions to Pam at Watercolorsplash@gmail.com.

* NOTE: Students are welcome to arrive earlier as early as 12:00 pm to set up or work on their projects beforehand or get warmed up for creating with Pam. Doors close at 3:30.